a smol miscellanea

Sketchbook 2025

Sketchbook 25-01 Sketchbook 25-02 Sketchbook 25-03 Sketchbook 25-04 Sketchbook 25-05 Sketchbook 25-06 Sketchbook 25-07 Sketchbook 25-08 Sketchbook 25-09 Sketchbook 25-10 Sketchbook 25-11 Sketchbook 25-12 Sketchbook 25-13 Sketchbook 25-14 Sketchbook 25-15 Sketchbook 25-16 Sketchbook 25-17 Sketchbook 25-18 Sketchbook 25-19 Sketchbook 25-20 Sketchbook 25-21 Sketchbook 25-22 Sketchbook 25-23 Sketchbook 25-24 Sketchbook 25-25 Sketchbook 25-26 Sketchbook 25-27 Sketchbook 25-28 Sketchbook 25-29 Sketchbook 25-30 Sketchbook 25-31 Sketchbook 25-32 Sketchbook 25-33 Sketchbook 25-34 Sketchbook 25-35 Sketchbook 25-36 Sketchbook 25-37 Sketchbook 25-38 Sketchbook 25-39 Sketchbook 25-40 Sketchbook 25-41 Sketchbook 25-42 Sketchbook 25-43 Sketchbook 25-44 Sketchbook 25-45 Sketchbook 25-46 Two-page sketchbook spread filled with figure and object studies. Overall, the pages display a variety of anatomical and still life studies using different techniques, emphasizing practice and skill-building. The pages feature multiple graphite sketches, mostly of human hands in various poses—some tightly clenched, some relaxed, fingers splayed or curled. There are also two studies of nude human torsos, one from the back and one from the front, along with two partial full-body poses, both nude. A duck and an animal skull are also depicted with soft shading. There are also two small colour studies. In the upper right, a still life with a blue pitcher, a bowl of oranges, and one orange on the table. At the bottom right, a realistic coloured rendering of a garlic bulb with its skin, shown on a black background. Two-page sketchbook spread filled with various studies and sketches. The pages overall feature art exercises exploring form, expression, and anatomy, with both realistic painting and sketch-like line-work. There is a realistic painting of a green pear with a brown stem, against a neutral background. There are numerous graphite sketches focusing on figures, faces, and anatomy. A large sketch shows a woman with her hair in a bun making a funny face. A bearded man twisting his torso, coyly glancing over his shoulder. Two incomplete facial studies, showing differences in perspective and features. Cropped and unfinished drawings focus on the structure of heads, hands, and expressive poses of the body. A colour portrait of a man with dark skin and textured hair, next to a monochrome drawing of a skull. Two full-body sketches of women pose dynamically, while a separate hand studies gesture & anatomy. A colour study of a pair of eyes, rendered more realistically than the surrounding sketches. Two-page sketchbook spread with a collection of studies. Overall the pages are a collection of practice drawings exploring anatomy, animals, everyday objects, and expressions. A portrait of a man looking upward, a portrait of a woman with direct gaze, a hand posed with fingers bent, and a smiling man with glasses seen from a low angle. A drawing of a foot, a cluster of peaches, a pair of embroidery scissors, a dancer balancing on one leg, an anthurium flower, a partially drawn figure with one arm extended, a bunny surrounded by a dark shaded background, a woman’s portrait in profile with a headband, and a tawny frogmouth’s face. Two-page sketchbook spread showing a collection of digital graphite studies. On the left, there is a detailed flower, a close-up of a face focusing on an eye, nose, and lips, two separate ears, and two lips. There are also sketches of hands in different poses, and a few simple human figures in action poses. To the right, there are numerous studies of the human form, almost all of nude females, showing different poses, backs, and body segments. The poses include standing, sitting, stretching, and reclining positions, with careful attention to anatomy and musculature. One sketch features a woman lying on her side, while another depicts a person crouching low. Near the centre-bottom is a drawing of a Tasmanian devil. Two-page sketchbook spread filled with digital graphite and charcoal sketches. The left side contains anatomy studies and figure sketches: an eye, noses, ears, mouths, hands, several female torsos and backsides, a foot, and small studies of heads and faces—one of a woman with a ponytail and another of a bald woman. On the right side are two more head and face studies, one of an older face, and a large portrait of a woman with wavy hair. There are also close-ups of a mouth, eyes, and nose, focusing on individual features. On the bottom right is a sequence of three shaded spheres: the first two in greyscale, the last a red sphere with dramatic lighting on a pale surface. Two-page sketchbook spread filled with various studies including small colour studies of basic shapes, and greyscale sketches of a cup, a standing nude female figure, a portrait of a woman with straight dark hair, multiple hand studies in different positions, a face, an animal skull, and a human skull. Two-page sketchbook spread filled both realistic and sketch-style drawings, including a digital still life painting of a bunch of green grapes, quick gesture sketches of human figures in dynamic poses, two hand sketches, and a detailed colour study of a crested bird's skull against a draped backdrop. Two-page sketchbook spread filled with digital graphite and charcoal studies of human anatomy, hands, and animals. There are also a few portraits, a single digital colour study of a human eye, and some sketches of a cat, a yawning hippopotamus, and a young elephant. Two-page sketchbook spread featuring two digital graphite sketches of hands, an otter's head, a bare tree branch, and two unfinished faces—one outlined and one shaded. There are also some digital colour studies of a blue ceramic jug, a piece of bone casting a dramatic shadow on a teal background, a still-life of a blue bottle with an orange and a red bell pepper against a dark background, and an animal skull resting on draped green fabric. Two-page sketchbook spread showing numerous digital drawings and paintings including both realistic and stylised human faces; figure studies, cartoony animal characters, a partially painted cat’s nose and eyes; a sliced orange with a shadow; a small animal skull against a brown background. The drawings vary in completeness, from rough line drawings to more finished pieces.